Thursday, 23 November 2017

Movie Review: Justice League (2017)

This is the film event of the year but for all the wrong reasons. After the far-from-impressive track record of the DC Extended Universe up to this point, we now have the big team-up feature to kick things into high gear. But then the production issues started to pop up: Avengers writer Joss Whedon was tapped by Zack Snyder to write scenes for reshoots, then Snyder left the project due to family medical issues so Whedon had to direct the reshoots himself... and then Snyder hit up the Internet after the film's release, practically begging the public to show interest in his original cut for the film, rather than the one in cinemas which was edited down. Knowing how scattershot the production values of all the DCEU films have been so far, with the highly lauded exception of Wonder Woman, this kind of production background isn't making me hopeful that this will be the one to finally push DC out of the red. But, as I've said before, I've always had a soft spot for superhero and comic book-related films; hell, I still think that Suicide Squad is a decent, if flawed, feature. Maybe that will kick in again and I'll walk away from this happy.

Maybe. This is Justice League.

Monday, 20 November 2017

Movie Review: Daddy's Home 2 (2017)



Well, I just covered another parental-aimed comedy follow-up a little while ago, so naturally I’m back with another one. One that I am far less happy to see return. The first Daddy’s Home, aside from securing a place as one of the worst films of 2015, is a film that still manages to piss me off just from remembering that it exists. Its ability to irritate is matched only by its complete wrongheadedness in trying to wring comedy out of parental figures spending more time bitching at each other than actually taking care of their kids. Not saying that it can’t be done but the first film flat-out failed to do so and this sequel probably isn’t going to do much better. Let’s get this the hell over with so I can go back to more uplifting holiday activities… like setting my house on fire. This is Daddy’s Home 2.

Thursday, 16 November 2017

Movie Review: My Little Pony: The Movie (2017)



For as long as I can remember, I’ve had a serious connection to all things associated with Cartoon Network, in particular growing up on the legendary Cartoon Cartoons block. From the pre-pubescent spy antics of Codename: Kids Next Door, to the superpowered comedy of the Powerpuff Girls, to the mad science capering of Dexter’s Laboratory, even the surprisingly emotional and poignant messages of Whatever Happened To Robot Jones?; these shows and others helped shape a lot of how I approach and appreciate media, and likely explains why I still hold a lot of respect for what children-centric entertainment is capable of. Where am I going with all this and what does it have to do with anything? Well, considering my own liking for cartoons, including several that aren’t exactly aiming for my demographic, I have never really understood the disdain for bronies. And this isn’t even with hindsight; even at the height of its backlash, the seeming hatred for these people never made sense to me. Hell, I even joined in out of sheer social necessity, but it was always me playing to the crowd; even as the words “screw you, bronies” came out of my mouth, I still didn’t get the rationale of that statement.

With all that in mind, when today’s film was announced, I knew that I’d have to give my two cents on this whole thing before stepping into the realms that traditional masculinity seems to hate with a passion. Sure, I’m not all that familiar with the My Little Pony franchise myself, but I’ve watched a couple episodes of Friendship Is Magic and it’s honestly pretty good. Let’s get into this thing and see if there is something to it beyond “it’s based on a girly show”. This is My Little Pony: The Movie.

Tuesday, 14 November 2017

Movie Review: Ittefaq (2017)



The plot: A book publisher (Kimberly Louisa McBeath) and a lawyer (Samir Sharma) have turned up dead and the only two witnesses to the crimes are also the prime suspects: Author Vikram (Sidharth Malhotra) and homemaker Maya (Sonakshi Sinha). As officer Dev (Akshaye Khanna) interviews them both, and hears two different versions of the facts from each of them, he struggles to piece together what actually happened that night. However, as the investigation carries on, it seems that the 'truth' of the matter is going to be even tougher to discern than first thought.

Saturday, 11 November 2017

Movie Review: The Son Of Bigfoot (2017)



The plot: Teenager Adam (Pappy Faulkner) misses his father (Christopher L. Parson), who was presumed dead after being chased down by scientists led by Wallace. However, when Adam by chance finds that his father is still alive, he’s more than just alive: He’s Bigfoot! As Adam reconnects with his father and his forest friends, Wallace is hot on their trail to capture Bigfoot and discover the cure for baldness.

Friday, 10 November 2017

Movie Review: Three Summers (2017)



Well, it’s been a while since I’ve looked at an Aussie film, so let’s rectify that by looking at today’s film by that fabled Australian filmmaker… Ben Elton. Okay, to be fair, this is a primarily Aussie production, full of premier Aussie actors and it’s set in the outback; it’s just directed by a British guy. But not just any British guy but one of the UK’s foremost satirists. Behind such classics as The Young Ones and Blackadder, Elton’s bombastic and scathing approach to satire is genuinely impressive. Whether it was looking at 80’s punk culture with Young Ones or basically the whole of history with Blackadder, the man had a definite knack for the work, which considering how fiddly true satire can be is commendable. It also helps that he had a hand in the greenlighting of Red Dwarf, not only a strong force of sci-fi satire in its own right but an all-out classic piece of British pop culture. With this kind of pedigree, and taking into account what Australian media is often best at (cultural examination), this should turn out pretty good… right? This is Three Summers.

Thursday, 9 November 2017

Movie Review: Bad Moms 2 (2017)

For as much derision as the practice gets, I don’t have any major issue with the whole sequel/franchise/cinematic universe thing in Hollywood. I find it interesting to see what films hold up to the original, and I’m always surprised to see films that manage to exceed what came before it like John Wick: Chapter 2 and Guardians Of The Galaxy Vol. 2. Today’s film, however, is of a brand that does make me tilt my head. It was a little over a year ago that I looked the first Bad Moms, a film that I still think people didn’t give enough credit to for the kind of film it was. Having this little amount of time between installments is usually the sign of a cash-in “let’s just repeat what we did before” sequel. Combine that with this being a Christmas film released in November, because doing it in December would’ve made too much sense, and this has a high probability of being less-than-adequate. Still, given how impressed I was with the first film and seeing how some equally impressive cinematic follow-ups this year, I’m holding onto some hope that this might be decent. For once, I will not be pleased if I’m proven wrong. This is Bad Moms 2 (also known as A Bad Moms Christmas).