Monday, 18 September 2017

Movie Review: The Hitman's Bodyguard (2017)

The plot: Disgraced bodyguard Michael (Ryan Reynolds) has been tasked with protecting hitman Darius Kincaid (Samuel L. Jackson), a key witness in the criminal trial against dictator Vladislav Dukhovich (Gary Oldman). As they try and manoeuvre their way to the courthouse, they have to deal with Dukhovich’s hired goons, the local police and even each other to make it there in one piece.

Saturday, 16 September 2017

Movie Review: The Dark Tower (2017)

We’re going to be getting quite a few adaptations from the written horror legend Stephen King this year. I’m going to cover them as I do any other film, except I’m doing to do something a little different with these. Along with going over the individual merits of the films themselves as per usual, I’m also going to take this time to go over King’s own strengths as a writer, how they present themselves in his works, and ultimately how well these films stand up as a continuation of his ethos. And oh boy, do we have a doozy to start out with. After being in development hell for many years, only truly getting off the ground thanks to everyone’s favourite hack Akiva Goldsman, to say this film hasn’t been well-received would undermine the sheer apathy that this has generated so far. Anyone who has read through my reviews for quote-unquote “boring” films in the past should know that failure to engage often ends up being a bigger sin than just being aggravating or thematic heinous. But is that truly what we get here? Let’s take our first dip in the King pool and find out: This is The Dark Tower.

Monday, 11 September 2017

Movie Review: Valerian And The City Of A Thousand Planets (2017)

Outside of Luc Besson being an idiosyncratic director (shorthand for “he has his own style that I am unable to put into words”), I don’t have anything new to say about the guy that I haven’t already said in reviews past. As such, I’ll forgo my usual introduction and just get right into this thing because I am legit excited to be talking about this movie. This is Valerian And The City Of A Thousand Planets.

Wednesday, 6 September 2017

Movie Review: Dunkirk (2017)

Christopher Nolan is one of those directors who seems to ferociously divide audiences, usually in reference to the director’s more staunch defenders. He has made some truly incredible films, like the cerebral heist flick Inception and the ground-breaking superhero film The Dark Knight, both of which I’d count among my favourite films ever… but the guy’s reputation has been stuck in a bit of a mire for a while now. Interstellar wasn’t that well received overall, and while The Dark Knight Rises still holds up as a good Batman film, it and combined with his involvement in Man Of Steel resulted in the current state of the DC Extended Universe, one that was definitely painted with Nolan’s dark brushstrokes from his Batman work. Naturally, as is the case with pretty much all of his films, the marketing for his latest has been rather inescapable. Knowing my own hesitance to full-force advertising of films and my want for him to pull through with a film that I don’t have to defend quite so hard as something like Rises, this is already looking like an interesting situation for a film’s release. But that’s all background noise; what’s the actual movie like? This is Dunkirk.

Monday, 4 September 2017

Movie Review: Hampstead (2017)

A few times now in my reviews, I have mentioned a few ‘sentient red flags’ that have shown up in some films; actors whose recent track records are so consistently underwhelming that merely seeing them attached to films is enough to make sceptical. Usually, I’ve attributed that label to certain Aussie actors like Jai Courtney and Teresa Palmer, both of whom have been attached to some rather troubling works over the last few years. Well, it is my unfortunate duty to include another actor to that list: Diane Keaton. Over the last couple years, her live-action filmography has ranged from the bland with a touch of mean-spiritedness with And So It Goes to the casually spiteful and rather distasteful with Love The Coopers. Will today’s film show a change in that pattern, or will I have to see another lauded actor fall through the cracks of modern cinema? This is Hampstead.

Friday, 1 September 2017

Movie Review: Annabelle: Creation (2017)

Well, after the unprecedented success of Ouija: Origin Of Evil from last year, a film that I still absolutely adore, I figure it’s about time to put that hope for better cinema into practice. Between Origin Of Evil showing that it is still possible to make a prequel film that outshines the original and the general unpredictability surrounding a lot of this year’s releases, I have more than enough reason to believe that, in spite of how lame the original film was, this film could still turn out alright. So, let’s take a look at this latest horror film from the director of Lights Out… wow. I think I just set a world record for the fastest loss of optimism on that one, but let’s press on anyway. This is Annabelle: Creation.

Monday, 28 August 2017

Movie Review: War For The Planet Of The Apes (2017)

Of all the sci-fi tentpole films that have reached our screens in the last few years, including the myriad of comic book-related fare, no singular series has given more credibility to the genre as a whole like the Planet Of The Apes prequels have managed. Hell, just the fact that we have not one but two prequels from this series that are not a complete embarrassment to the license is proof enough that these are some special-ass movies. Through a combination of legitimately ground-breaking special effects work and some truly inspired scripting, Rise Of The Planet Of The Apes and Dawn Of The Planet Of The Apes have a very special place in the film industry as it stands today. If we ever grow a sense that the Oscars actually matter in any real way, and decide to end the stigma concerning ‘genre films’ and how they mostly get relegated to the special effects categories in terms of nominations, you’d be hard-pressed to find two better pieces of evidence than those. Since the cyclical nature of cinema releases means that quite a few of 2014’s releases are getting follow-ups this year, I’m definitely curious to see if this film is able to live up to the series standard thus far. What I was not expecting, even from these filmmakers, was a result that manages to outdo the previous installments. How is that even possible? Well, let’s take a look. This is War For The Planet Of The Apes.